富春山居圖合璧拼圖 app for iPhone and iPad

《富春山居圖》2011年于台北故宮合璧展出,特備超高清「無用師卷」與「剩山圖」。更有基於此的拼圖小遊戲。
-可放大至超過原圖大小的顯示比例。
-可開啓或關閉自動滾屏与《高山流水》古琴曲的播放。
-拼圖時,可晃動以重新排列。
-可使用兩指左右掃屏,來切換前後拼圖。

《富春山居圖》為元四家之首黃公望所畫,作于1347年至1350年前後,以富春江為背景,是黃公望的代表作,對後世文人畫影響極大。
明朝末年富春山居圖傳到收藏家吳洪裕手中,他極為喜愛此畫,甚至在臨死前命家人將此畫焚燒殉葬,險在吳洪裕的侄子從火中搶救出,但此時畫已被燒成一大一小兩段,前段較小,经过修补后稱「剩山圖」;後段畫幅較長,稱「無用師卷」。
「剩山圖」收藏於浙江省博物館,而富春山居圖「無用師卷」和「子明卷」都藏於臺北國立故宮博物院。本圖前後兩段分隔360多年之後,「剩山圖」與「無用師卷」於2011年在臺北國立故宮博物院首次合璧展出。

This app has prepared a high definition copy of the reunioned Dwelling in the Fuchun Mountains, together with a puzzle game based on it.

-In the puzzle mode, can shake the device to start solving or reshuffle.
-Swipe left and right with 2 fingers to navigate through the pieces of puzzles.

Dwelling in the Fuchun Mountains is not only the greatest surviving masterpiece by Huang Gongwang (1269-1354), one of the Four Yuan Dynasty Masters, it is also a work renowned in the history of Chinese painting. It came to influence landscape painting of the Ming and Qing dynasties, having crucial value for drawing from the past and inspiring future generations in the tradition of Chinese literati painting.
Dwelling in the Fuchun Mountains was completed around 1350, when Huang Gongwang was 82 years old. Passing down through the generations to the late Ming or early Qing dynasty, it was kept by Wu Hongyu. On his deathbed Wu consigned this painting to the flames, but fortunately a family member saved it. The scroll nevertheless suffered damage and was separated into two sections. The first part, known as The Remaining Mountain, is 51.4 centimeters long and now an important work in the Zhejiang Provincial Museum collection. The latter section, composed of six joined pieces of paper and measuring 636.9 centimeters long, entered the Qing imperial collection in 1746 and ranks as a national treasure of the National Palace Museum. For more than 360 years, these two sections of the original scroll have never been displayed together. In 2011, a special exhibition is held in Taiwan, so that these two treasures could be brought together for display. Through this recreation of the original appearance of Dwelling in the Fuchun Mountains, audiences can reach a fuller understanding of this important masterpiece in Chinese art.